Projects

Jeremy Deller & Fraser Muggeridge: ENGLISH MAGIC REMIX

Exhibition opening party: 10th October 2014. 6pm-9pm 
Open: 12 - 5pm, Friday - Sunday. 10 October 2014 - 11 January 2015

CRATE is delighted to announce the opening of a collaborative show of new works by Jeremy Deller and Fraser Muggeridge.

Taking elements from Deller’s English Magic exhibition, English Magic Re-Mix is a selection of new and re-worked imagery. Conceived originally as being a celebratory way to mark the end of a touring show, English Magic Re-Mix acts as the naughty offspring of the original.

The exterior of the CRATE building (a former printworks behind Margate High Street) will be transformed with posters and viewable at all times throughout the duration of the show. English Magic Re-Mix will run concurrently with the final showcase of English Magic at Turner Contemporary, Margate (11 October 2014-11January 2015).

Two prints will be for sale in an edition of 300 at the exhibition. 

Read curator Charley Vines in conversation ith Jeremy Deller and Fraser Muggeridge here

jeremydeller.org
pleasedonotbend.co.uk

Bilton Square Micro Beer Fest Sept 6th

CRATE's Collaborative Research Group have teamed up with The Harbour Arms, Pete's Fish Factory, The Tudor House and RG Scott Furniture Mart to bring a micro beer festival to Bilton Square, Margate.

The Beer Fest is a one day event held in Bilton Square, Margate, on the 6th September 2014, and will be situated beside and supported by Crate and Limbo, whilst working as part of Turner Contemporarys’ 'Summer of Colour' and Margate's 'Big Busk'.

Margate and the rest of the Isle of Thanet has a rich history in the production of malt and barley,which would be exported both to London and the European Low Countries between the 16th and 18th century. As a pre-empt to the possible re-opening of a 16th century malt-house in Margate, the Beer Fest aims to celebrate this former provision from the Isle, whilst also providing the space in which to acknowledge the surge in popularity of ale consumption, and more broadly, the space that surrounds alcohol consumption.

There will also be an artist film preview, showing selected films chosen by Collaborative Research Group, on 5th September 2014
which is due to be held at The Tudor House in Margate.

The event is the last ‘First Friday’ event of the Summer of Colour, a Turner Contemporary initiative to promote the celebration of Mondrian and the collaboration between organisations in Margate and Thanet.

It will also be happening alongside The Margate Big Busk which sees a day of busking and street performance throughout Margate, based at various sites and venues, one of which will be Bilton Square.

CRG at Whitstable Biennale 2014

31 May - 15 June 2014

For Whitstable Biennale 2014, Collaborative Research Group (CRG) created a social space within Kieren Reed’s From the Ground up, (A) Social Building, which also doubled as the Biennale’s HQ. CRG provided a context for interpreting the Biennale through participatory activity, talks, tours and other events. 

collaborativeresearchgroup.co.uk
whitstablebiennale.com

 

COLLABORATIVE RESEARCH GROUP? opening fri 28th feb

Collaborative Research Group (CRG) is an 18-month programme, which brings together six arts practitioners who are interested in collaborative working and the pluralities of contemporary visual arts practice. Functioning as both a complimentary and alternative form of higher arts education, CRG operates through an open and discursive approach to research-led working. CRG is made up of Áine Belton, Dom Elsner, Louisa Love, Alex Parry, Trish Scott and Charley Vines. It is founded and co-ordinated by artist and curator Toby Huddlestone. For more information at www.collaborativeresearchgroup.co.uk

Charley Vines - Cheap Thrills - Opening Friday 31st Jan

PREVIEW: FRI 31 JAN. 18:00 – 20:00 There is something rewarding in existing, and producing, cheaply. Everybody loves a bargain. Using site as subject, Cheap Thrills come out of the repetitions, observations and habits of the studio and its locale. Both pedestrian and familiar, a study of these day-to-day rhythms also presents the opportunity to see the minutia, perhaps even the exotic. The paintings show attempts to refine and reduce, refine and expand.They are frustrated and indulgent – a little playful. Experimental objects suggest tongue-in-cheek value. Spinning disco-teeth, dancing boots - they activate the paintings, reminding them to reject the constraints of their medium. Cheap Thrills is an exercise in the processes leading towards an exhibition. The processes of experiencing and deconstructing the subject. The processes of painting towards an end.

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